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9 July 2026

Mieke Derickx was


the UM art curator

UM and me

To mark UM’s 50th anniversary, people from in and outside the university share what it means to them. What makes them proud of UM? How has it influenced their career? And what does it mean for the city and the region? They share their fondest memories to help us celebrate the university’s story together.

“There were some artworks people took a while to warm to.”

Mieke Derickx was Maastricht University’s art curator for almost 25 years. Be it the flower mural at the Student Service Centre or a photographic display, chances are she was responsible for acquiring it. At the same time, she worked as a research assistant at the medical faculty. “Back in the 1980s, we were still working with punch cards. You had to wait a whole day for your analysis to be completed,” she recalls. Four years after retiring, she looks back on her years at UM.

Bio

Mieke Derickx

From 1996 until her retirement in 2022, Mieke Derickx was the UM curator, responsible for managing the university’s art collection. Alongside this role, she worked part-time as a research assistant at the Faculty of Health, Medicine and Life Sciences for 42 years, from 1980 to 2022. She also remained active throughout her career as a visual artist and art teacher.

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Sticking around for 42 years

Derickx was involved with the university from its earliest days. “As a student at the art academy, I used to come to UM for the infamous parties,” she says with a laugh. After graduating, she found an office job at the university. “At the time, I was happy to have any job at all. I started working at the medical faculty, conducting in-depth interviews about a rehabilitation programme.” Her boss, Professor Riet Drop, suggested that she could end up staying on for two years. At the time, that sounded like an eternity. “In the end I stuck around for 42 years,” she laughs.

Looking back, Derickx vividly remembers how she and her colleagues carried out statistical analyses using punch cards. “You fed them into a machine and the results would only come out a day later.”


A move into the art world

Thanks to her artistic background, after a few years Derickx was invited to join the faculty’s art committee. “They were passionately committed to developing the faculty’s collection,” she says. “We acquired artworks, organised exhibitions and produced publications on art.” When she considered leaving UM for a curator’s position elsewhere, the university offered her a newly created role as UM-wide curator. “I was the first person to hold the position.”

First and foremost, the role involved mapping the university’s entire art collection. What kind of work was it? Was it displayed in a suitable location? Did it require restoration? “We also set up a website so people could see what the artworks were and where they came from. It still exists today.” Another part of the job was making art accessible, for example through exhibitions. But what Derickx enjoyed most was finding new artworks for the university buildings. “Often that happened during renovation projects. We’d bring together a group of people to help identify a work that suited the space.”

Flowers on a white wall

One of her favourite artworks is also one of the most talked-about pieces on campus: the mural with flowers at the Student Services Centre. “It was artist Hadassah Emmerich’s first public commission. When I approached her, she had all these wild plans, as did I.” The piece initially provoked resistance. “People would say things like ‘It looks like a squat!’ or ‘Why would you hire someone who lets paint drips run down the wall?’” Derickx laughs about it now. “There’s always someone who thinks something is ugly. These days people are actually proud of the mural. Sometimes a piece just needs time to grow on people.”

Photography: Joey Roberts

Flowers on a white wall

Eternal Blue

She is also particularly fond of Eternal Blue by Richard Vijgen. “It’s a clock-shaped screen in the main hall at the Minderbroedersberg with thousands of LED lights. They constantly light up to show how many attempts from around the world to hack UM’s systems have been blocked in the past 24 hours. It commemorates the cyberattack on the university in 2019, and is a reminder of the importance of staying vigilant about cybersecurity.”

Photography: Philip Driessen

Eternal Blue

Experimentation

The university has changed considerably since the 1980s, but Derickx says some things have remained the same. “One thing I learnt at primary school is that a university is a place where ideas, science and art can flourish freely. I think that’s still true of UM, and I hope it always is.”

Derickx retired four years ago, handing over the role of curator to Barbara Strating. She now spends much of her time in her studio, creating art of her own. “I’m experimenting again, which I see as very valuable. In a way, art brings together everything I’ve always done in my work: being open to multiple and unexpected perspectives, staying curious, and persevering – even when other people don’t immediately get what you’re trying to do.”


Text: Romy Veul
Portrait photography: Joris Hilterman